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彭加瑾(《文艺报》):晓文是一个很有锐气的导演。在艺术创新、吸收外来艺术手法以及怎么样使自己的作品争取更多的观众上,他作出了比较突出的贡献。比较典型的是他的《疯狂的代价》,该片在当时的电影界和社会上都产生了很大反响,在两个效益方面是比较成功的一个例子。晓文保持了对艺术追求的创作勇气。《测谎器》拍得精练。人物、场景不多,利用有限的人物关系和有限的场景,描写了一个独特的生活现象,从一定意义上讲就是丑恶、虚伪,就是人性的恶。从这一点看,我们的电
Peng Jiajin (“literary newspaper”): Xiaowen is a very eager director. He made a rather outstanding contribution to artistic innovation, absorption of foreign artistic techniques and how to win more works for his own audience. More typical is his “price of madness”, which produced great repercussions in both the film industry and the community at that time. It is an example of the two benefits that have been relatively successful. Xiaowen has maintained its creative courage in pursuing art. Polygraphs are scrutiny. People and scenes are limited. They use limited personal relations and limited scenes to describe a unique phenomenon of life. In a certain sense, they are ugly and hypocritical, and they are the evil of human nature. From this point of view, our electricity