新时期文学曾有过三次文体革命 ,从总体上看 ,它具有自由松动、多元融合、频繁多变的艺术特征。其中作为抒情类的诗歌、散文的文体革命起步早 ,兴衰起伏更迭较大 ;而作为叙事类的小说、戏剧的文体革命因切近世俗化社会 ,汇集了一大批锐意创新的文学精英 ,在相对稳定的实践中取得了更为显著的成就。本文围绕抒情和叙事两种文体革命这一论题 ,对近二十多年来文体现代性的现状及其艺术实践试作评述 ,以便从中寻找可资借鉴的创作资源。 In the new era, there have been three literary revolutions in literature, and on the whole, it has the characteristics of loose and pluralistic integration and frequent changes. Among them, as a lyric class of poetry, the style of essay revolution started early, the ups and downs of ups and downs of the larger change; and as a narrative novel, drama and cultural revolution because of the close secularization of society, brought together a large number of innovative literary elite, relatively stable The practice has made more significant achievements. Based on the two kinds of stylistic revolutions such as lyricism and narrative, this essay comments on the status quo of stylistic modernity in the past two decades and the trial production of its artistic practice in order to find creative sources for reference.