关于传声器有种种的神秘论。对于大众而言,录音师有时像魔术师会魔法一样,具有超自然的能力。一些当代的录音师会鼓励这种观念,但是它其实是过去时代的一个残影,那时的录音棚传声器菲常昂贵和脆弱,而且大多数的人除了自家的收音机之外没有接触过更复杂的电子装置。对于录音来说,其实没有什么秘密。这门艺术基本上是对本文所讨论的一些基本原理的灵活运用,如果真有什么魔法,那就是在应对以下问题时所积累起来的经验。 There are various myths about microphones. For the general public, the sound engineer is sometimes supernaturally capable, like magician magic. Some contemporary sound engineers are encouraged by this idea, but it’s actually a fucking shadow of the past, when recording studio microphones were often expensive and fragile, and most people had no more contact than their own radios Electronic device. For the recording, in fact, no secret. This art is basically a flexible application of some of the basic principles discussed in this article, and if there is any magic, that is the experience gained in dealing with the following questions.