在威尼斯双年展,有观看的人,也有那些希望被看到的人,还有把“观看”作为一种职业的人。一个男人从水上出租车走出来,身后跟着四个保镖,这行人一身黑衣,走向绿园城堡。他是艺术经纪人?收藏家?还是政治家?总之,一定不是艺术家,连杰夫·昆斯还没有流行明星的身份。今年中国的出席以成熟和一点低调展示出来,每个人可能都明白,让他人发现比叫卖式的广告要好,我们从中看到它作为众声之中的一个声音被接受的迹象,即便用了力,也 At the Venice Biennale, there are people who watch, people who want to be seen, and people who view “watching ” as a profession. A man came out from the taxi on the water, followed by four bodyguards, this pedestrian in black, to Green Park Castle. He is an art dealer, a collector, or a politician. Anyway, it must not be an artist, and Jeff Koons does not yet have a pop star status. This year China’s attendance is shown at a mature and a bit low profile, and everyone may understand that it is better for others to discover than hawking, and we see it as a sign of being accepted as one of the voices, even with the use of force ,and also