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为厘清“新古典主义音乐”中“新”与“古”的具体内容,对普朗克的钢琴曲《急板》进行了音乐分析。“新”的方面主要包括不协和程度增加、平行和弦与和弦对置的使用、远关系的调性对比以及自由度更高的主题发展手段,使之带有了20世纪音乐的创作特征。作品通过清晰、均衡的曲式结构、明确的调性、功能和声为主的进行、节奏与节拍领域的常规性来体现“古典主义音乐”的特点,另外在演奏法、速度和演奏表情上,作品也力求“古典主义”风格。
In order to clarify the concrete content of “new” and “ancient” in “neoclassical music”, a musical analysis of Planck’s Pianist “Pan” was conducted. The “new” aspects include increasing the degree of disharmony, the use of parallel chords and chord oppositions, the tonality contrast of distant relations, and the greater degree of freedom of thematic development, bringing with them the creative features of 20th century music . Works through a clear and balanced music structure, a clear tonality, the main function of harmony, rhythms and beats the routine in the field to reflect the “Classicism Music ” features, while the performance method, speed and performance Expression, the work also sought “Classicism ” style.