“意境”作为中国古典美学的核心范畴,高度凝结了中国人的哲学智慧和艺术经验。自“意境”作为概念在唐代首次被提出来,到近代王国维从理论上对其加以总结和揭示,“意境”已经成为中国美学的中心范畴与核心概念以及文学艺术内在本质的最高理论概括,是中国美学史特殊性的最高体现。然而,也正因为“意境”内涵的丰富性和中国文学批评自身的特殊性(即偏重形象性的比喻而缺乏逻辑思辨的清晰性),使“意境”概念罩上了浓重的神秘色彩,并且给我们的 As the core category of Chinese classical aesthetics, “Artistic Conception ” has highly condensed Chinese philosophical wisdom and artistic experience. From “” mood “as the concept was first proposed in the Tang Dynasty, to modern Wang Guowei from its theoretical summary and reveal ” mood “has become the central category and core concept of Chinese aesthetics and the inherent nature of literature and art The highest theoretical summary is the highest manifestation of the particularity of the history of Chinese aesthetics. However, precisely because of the richness of the connotation of ”artistic conception“ and the particularity of Chinese literary criticism (ie, the lack of clarity of logical speculation in favor of figurative metaphors), the concept of ”artistic conception" Mysterious, and for us