无论东西方,我们往往游离于生活之外,思考着我们是谁?从哪里来?又将往哪里去?这具有某种哲学意义上的思考与穷究一直在推动着我们不安于现状,并总想在固定模式以外的空间中寻求生活的意义与价值。面对陶泥如同和面对宣纸、文字、乐谱一样,创作者只是希望寻求一种符合自己心境的材料,来表达对未来生活的某种向往与追求。相对于我们传统陶瓷的艺术形态与装饰样式,世界当代陶艺的形态富有多元化的艺术特征,我们承载的陶瓷概念,不仅仅再是汉唐明清那些具 We often freed ourselves from our lives, thinking about who we are, where we come from, and where we are going to go. This has some philosophical thinking and impotence that has been pushing us into restlessness and Always want to seek the meaning and value of life in the space beyond the fixed mode. The face of pottery as the face of rice paper, writing, music, creators just want to find a material that meets their own mood to express some desire and pursuit of future life. Relative to our traditional ceramic art forms and decorative patterns, the world’s contemporary pottery is rich in the diversity of artistic features, we carry the concept of ceramics, not only the Han, Tang, Ming and Qing those who are not