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欧阳炯在《花间集序》中阐述了“词”这种文学样式在唐末五代之时的发展、演变——在贵族和显人们的歌筵酒席之上,由诗客、文人所书写,交给妙龄歌女演唱,以娱情遣兴,增添主客宴饮之时欢乐、热闹的气氛,故而此时大部分词作本无深意可言。但韦庄词却能够打破花间词“词为艳科”而绮艳、无情的这一传统,是缘于其掺入了唐末五代真实的乱离社会感受、宦游辗转之苦、男女离合之哀等,显得一派真情与真诚,并指向一种解读的多义性与复杂性。
Ouyang Jiong elaborates the development and evolution of the literary style “Ci ” during the late Tang and the Five Dynasties in the “Anthology of Flowers and Prefaces” Written, to the singing of young pop songs, to entertain affective disreputable, increase the joyful, lively atmosphere when the host guest feast, therefore at this time most of the words for no meaning at all. However, Wei Zhuang Ci can break the flower words “Qi Yan Branch ” and beautiful, relentless tradition is due to the incorporation of the Tang Dynasty and the Five Dynasties real disturbances from the social experience, the erasure of officialdom, men and women Closure and so on, it seems one of the truth and sincerity, and point to an interpretation of the ambiguity and complexity.