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《特里斯坦与依索尔德》是德国作曲家瓦格纳极其重要的一部歌剧,结束唱段《爱之死》是整部歌剧中的点睛之笔。这部作品与歌剧中的《前奏曲》交相辉映,构成了一个完整的音乐结构与思想脉路。在《爱之死》中,整部歌剧体现的世界观在这里得到了最大限度的释放,所以说,《爱之死》唱段在音乐表演上的准确诠释对于整个歌剧作品的把握是有非常重要的意义的。本文从歌剧中的音乐语言出发,从音乐表演内容入手,对《爱之死》唱段进行音乐与角色情感上的分析,力求达到完整的舞台效果。
“Tristan and Isolde” is an extremely important opera by the German composer Wagner. The ending of the song “Death of Love” is the crowning touch of the whole opera. This work parallels the “Prelude” in the opera and constitutes a complete musical structure and thought path. In the “death of love”, the whole view of the world in this opera has been released to its fullest extent. Therefore, it is very important for the entire opera to grasp the exact interpretation of the “death of love” in music performance meaningful. Starting from the musical language in the opera, this article begins with the content of the musical performance and analyzes the emotional and emotional aspects of the song “Love’s Death”, aiming to achieve the complete stage effect.