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阿巴斯作为一名伊朗的电影作者,其电影风格别树一帜,生的灵动蔓延在电影的每一个角落,爱的关怀绽放在电影的每一帧画面,前人对他的电影的影像风格研究较多,但对于他电影中声音的研究几乎为空白,本文从对他电影中的声音的作用以及其美学意蕴进行了探讨。
Abbas, as an Iranian movie writer, has a unique style of film. His living spirits spread in every corner of the movie. Love is blooming in every frame of the movie, and his predecessors’ images of his movie There are many researches on the style, but the research on the sound in his film is almost blank. This article discusses the function of the sound in his film and its aesthetic implication.