《玩偶之家》是易卜生探讨婚姻家庭问题的代表作,它通过对娜拉所经历的一系列家庭生活细节的描写来表现海尔茂这一小资产阶级人物虚伪,自私的形象。从夫权统治的角度入手,以情感分析为脉络,分析了剧本中的三组感情纠葛,阐述了“有了爱便有一切”这一格言在夫权盛行,女性弱势的社会环境下表现得无能为力。 Doll’s House is a masterpiece of Ibsen’s discussion of marriage and family issues. It depicts the hypocritical and selfish image of Heil Mauch, a petty bourgeois character, through a series of descriptions of the details of the family life that Nora experienced. Starting from the perspective of the rule of the husband, taking emotional analysis as the context, this article analyzes the three sets of emotional entanglement in the script and elaborates that the maxim of “having love is everything” is manifested in the social environment where the prevalence of wives and the weakness of women Powerless.