《石门颂》是东汉摩崖石刻的代表作，向被金石学界称为“汉隶之极品”①，自古及今文献著录颇众，研究也愈来愈多。但遗憾的是，一些似是而非的观点长期流行于学林，大多为域外如日本学者所承循，致使人们对它的认识或多或少地受到了影响。针对上述研究的问题，笔者进行了多次 “Shihmen Ode” is the masterpiece of the Eastern Han Dynasty Cliff, to be called by the gem field as “the best of Han Li” ①, since ancient times and the present literature Poco, research more and more. Unfortunately, however, some paradoxical views have long been popular in academies, mostly outside Japan as Japanese scholars have led them to make their perceptions more or less affected. For the above research, I conducted several times