作为一个杰出的剧作家，关汉卿散曲和他的杂剧创作密不可分。除了此前人们经常采用的用于杂剧研究的有关佐证价值以外，关剧中体现的那种不屈不挠的斗士精神在散曲中同样有所体现，而散曲中重情节和人物塑造等表现手法特点又只能在作者首先是戏剧家的前提下才可能得到合理解释。正是在这个意义上，我们将关汉卿这部分散曲称为剧家之曲。 As an outstanding playwright, Guan Hanqing Sanqu and his novels are inseparable. In addition to the corroborating value that people often used for the study of drama before, the indomitable fighter spirit embodied in the turn-of-play also manifests itself in Sanqu, while the performance tactics of Sanxiaozhong, such as heavy plot and characterization, It is possible to get a reasonable explanation on the premise that the writer is a dramatist first. It is in this sense that we refer to this part of Guan Hanqing as a song of opera.