本文结合近年藏学研究的新成果和新发表的图像资料,对广州艺术博物院藏品唐卡《释迦牟尼及其故事》的绘画风格进行辨析,并对其年代和产地提出一些新的看法,还对11世纪至14世纪西藏各地的绘画风格进行了分析。 Based on the new achievements in Tibetology research and the newly published images, this paper analyzes the painting style of the Sakyamuni Buddha and its story in the collection of the Thangka Museum in Guangzhou Art Museum, and puts forward some new views on the age and place of production. The style of painting throughout Tibet from the 11th to the 14th century was also analyzed.