主持人语:进入21世纪,视觉图像研究在如火如荼的文化研究中令人瞩目。无论是以图像作为研究对象,还是以图像来阐释历史和文本,甚或成系统的视觉图像理论,在21世纪之后的第一个十年,国内外学者在该领域的研究中均取得了可喜的成绩,这与当下由网络、影视等媒介而主导的读图时代不无关联。同时,也从文化研究的角度,极大地拓展了文学研究的视阈。其实,随着印刷出版技术的进步,自晚清开始,视觉图像文本便大面积普及开来,不过早期均以手绘为主,最典型的便是《申报》《新闻报》等大报副刊上每天一幅的漫画,以及各类画报的大量出现,比如《点石斋画报》。 Moderator language: Into the 21st century, visual image research in the full swing of cultural studies remarkable. Whether taking the image as the research object or the image to explain the history and the text, or even the systematic visual image theory, in the first ten years after the 21st century, both domestic and foreign scholars have made gratifying achievements in this field Achievement, which is the moment by the Internet, film and television and other media-led reading era without unrelated. At the same time, from the perspective of cultural studies, it has greatly expanded the horizon of literary studies. In fact, with the advancement of printing and publishing technologies, visual image texts have been widely popularized since the late Qing dynasty. However, most of them are mainly hand-painted in the early stage. The most typical example is the newspaper supplement such as “Shen Bao” “News” and other supplements Every day a comic, as well as a large number of pictorial appearance, such as “Dian Shi Zhai Pictorial.”