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京剧形成之初,在舞台上以老生为中心的形势下,旦角表演艺术的发展是较为迟缓的。光绪以后才逐渐发展起来。代表人物如梅巧玲、余紫云、时小福、陈德霖、侯俊山、田际云、余玉琴、田桂凤、王瑶卿诸名家。进入二十年代以来,随着社会反映妇女生活题材剧目的增多,特别是坤伶的出现,京剧旦角表演艺术,在继承前辈表演艺术的基础上,得到了长足的发展。先后出现了梅兰芳、王惠芳、尚小云、徐碧云、程砚秋、荀慧生、黄桂秋、冯子和、朱琴心、雪艳琴、碧云霞、章遏云、琴雪芳、杜丽
At the beginning of the formation of Peking opera, under the situation of the old students being the center of the stage, the development of the performing arts in the Danjiao corridor is relatively slow. After the Guangxu gradually developed. Representatives such as Mei Qiaoling, Yu Ziyun, when Xiaofu, Chen Delin, Hou Jun, Tian Yun, Yu Yuqin, Tian Guifeng, Wang Yaoqing all the masters. Since the 1920s, with the increase in the number of social theatrical themes reflected in the life of women, especially the emergence of Kun Ling, the performing arts of Peking Opera has enjoyed considerable development on the basis of inheriting the performing arts of its predecessors. There have been Mei Lanfang, Wang Huifang, Shang Xiaoyun, Xu Biyun, Cheng Yanqiu, Xun Huisheng, Huang Guiqiu, Feng Zijie, Zhu Qin Xin, Xue Yanqin, Pik Wan Xia, Zhang contain cloud, Qinqin Fang, Du Li