一滞胀用这样的话来概括1989年以后的文学,我知道是很不全面,甚至是自相矛盾的。人们可以举出很多例子,如多少多少作品获某某部门奖赏,什么什么作品引起哪个社会圈子的激动,一夜之间冒出了数也数不清的文艺副刊,一年间出版了那么多的长篇小说,还有什么“老陕闹中华”、“新写实”、“新状态”、“新历史”等等,证明我之有伤厚道。确实,文坛好象仍然是热热闹闹的。但是,一个严酷的事实是,除了《废都》、《白鹿原》、《曾国藩》等寥寥可数的几部小说曾让一些出版社的书商和书商的出版社狠发过几次利市而外,再有就是一部《焦裕禄》,也着实地叫那些身处浊世而渴望“清官”的平头百姓们使劲地唏 Inevitably, I think it is very incomplete and even contradictory to summarize the literature after 1989 with such words. One can cite many examples, such as how many works won awards by certain departments, what works caused by the excitement of which social circle, and numerous countless literary supplements appeared overnight, and so many long articles were published in a year Novels, what is “Lao Shan troubled China”, “new realism”, “new status”, “new history” and so on, proving that I am hurt. Indeed, the literary world seems to be bustling. However, one of the harsh facts is that except for a handful of novels like “Waste Capital”, “White Deer Plain” and “Zeng Guofan”, the publishing houses of booksellers and booksellers of some publishers have made relentless efforts on several occasions. In addition, there is another “Jiao Yu Lu”, but also honestly called those who are in Turmoil and longing for “honest government” hard-pressed people 唏