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京剧月琴是京剧伴奏三大件之一,在京剧伴奏中有着举足轻重的角色,是京剧伴奏弹拨之首。他与京胡、三弦共同担负着京剧伴奏的责任。长期的京剧伴奏使得它逐渐形成自己的表现风格和音乐特色,其琴弦配置和琴弦品数也与原来有所不同。它通过高低音的变化,来使京剧节奏更加鲜明,通过与京胡、三弦的配合,通过对京剧演员唱腔风格的把握,将京剧韵律更好的表现出来,使得京剧演奏可以更加传神和被人们所喜爱。在月琴发展的各个时期,月琴演奏者都不断的总结经验,创新发展,从而大大提高月琴的表现力和在京剧中的地位。本文就京剧中的月琴演奏艺术和月琴演奏技巧做一个分析。
Peking Opera Yueqin is one of the three major pieces of Beijing Opera accompaniment. It plays a decisive role in the accompaniment of Peking opera. It is the first of Peking opera accompaniment plucked. He and Beijing Hu, Sanxian shared Beijing Opera accompaniment responsibility. Long-term Peking Opera accompaniment makes it gradually form its own performance style and musical characteristics, its string configuration and the number of strings are also different from the original. Through the change of bass and bass, the rhythm of Peking Opera is made more vivid. By cooperating with Jinghu and Sanxian, through the mastery of singing style of Peking Opera performers, Peking Opera’s rhythm can be better manifested, making Peking Opera play more vivid and be loved by people favorite. During the development of Yue Qin, Yue Qin players constantly sum up their experiences, innovate and develop, which greatly improves Yue Qin ’s expressiveness and position in Peking opera. This article makes an analysis of Yue Qin performance art and Yue Qin performance skill in Beijing Opera.