1993-1994年,杨春时陆续发表《超越实践美学》《超越实践美学建立超越美学》和《走向“后实践美学”》等文,提出要超越以李泽厚为代表的“实践美学”。《学术月刊》1995年第5期刊发了朱立元的《“实践美学”的历史地位与现实命运——与杨春时同志商榷》,由此引发了一系列争鸣。杨春时将中国当代美学发展概括为从“前实践美学”到“实践美学”再到“后实践美 In 1993-1994, Yang Chunshu successively published ”beyond practical aesthetics“ ”beyond practical aesthetics“ and ”practical aesthetics“ after ”going towards“, and proposed to go beyond ”practical aesthetics “ represented by Li Zehou. ”Academic Monthly“ in 1995 fifth issue of Zhu Liyuan ”“ practical aesthetics ”historical status and actual fate - with Comrade Yang Chunshi deliberation “, which led to a series of contention. Yang Chunshi summarizes the development of contemporary Chinese aesthetics as practice from ”ex ante practical aesthetics“ to ”practical aesthetics“ and then to ”