论文部分内容阅读
台湾著名儿童文学作家林世仁的童话集《十一个小红帽》是华语儿童文学界对西方经典童话进行解构式书写的代表性文本。在该文本的义涵层面中,最为突出的是对传统性别权力结构的颠覆。它巧妙地运用易装、反凝视以及语言(话语)冲撞等女性主义文本的常用艺术手法,并通过叙述结构尤其是叙述层次的设计,在儿童文学文本中对父权社会的传统性别权力结构完成了一场多层面立体式的突围。
Taiwan’s famous children’s literature writer Lin Shiren’s Fairy Tales Collection “The 11 Little Red Riding Hoods” is a representative version of the deconstructive writing of Western fairy tales in the Chinese children’s literature circle. The most prominent aspect of the meaning of the text is the subversion of the traditional structure of gender authority. It cleverly uses the common artistic techniques of feminist texts such as dress up, anti-gaze and language (discourse) collisions, and constructs the traditional gender-power structure of patriarchal society in children’s literary texts through the narrative structure, especially at the narrative level A multi-dimensional three-dimensional breakthrough.