“八仙过海显神通,水陆两栖有奇功,有缘千里来相会,无缘对面手难牵……”在咿咿呀呀的吟唱声中,老人右手四指熟稔而有节奏地拍击着左手肘中的渔鼓鼓心,渔鼓沉闷而缓滞地发出“嘭嘭”声。偶或依据唱词内容的起伏,老人右手指法在渔鼓上来回进行切换,四指从平展转为微曲并由鼓心移至鼓边,坚定地叩击着“笃笃”的鼓声。左手所执的双简板顶端的碰铃在每一 “Eight immortals across the sea supernatural power, amphibious have amazing power, destined to meet thousands of miles, missed the opposite hand is difficult to pull ... ...” In Baba Ya Ya singing, the elderly right hand four fingers familiar and rhythmically beat the left elbow Drum drum in the drum, drums dull and slow to issue “嘭 嘭 ” sound. Depending on the ups and downs of the libretto, the old man’s right hand fingering switches back and forth between the drums and the four fingers from flat to slightly bent and moved to the rim by the drum heart, firmly knocking on the drums of Tuk Tuk. The left hand held by the top of the double-Jane touch the bell in each