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一、绪论20世纪前叶是中国学术文化现代转型进程中的一个重要时期,对于沙孟海(1900-1992)个人而言,这同样是一个非同寻常的人生阶段,尤其是20年代,正是青年沙孟海学术、艺术生涯的起步期,在此期间,他面对种种学术思潮的交错和起伏,旧学与新知的冲撞和融合,在不断思考和选择中,逐步积累学术、艺术识见,确立其学术思想、艺术旨趣,为后来奠定重要基础。关于沙孟海书学、印学的研究,近年来已取得诸多成果。[1]但笔者以为尚有深入开掘的较大空间,理由在于:以往的研究多数是较孤立地讨论沙孟海的书学、印学观点,忽略了他在语言文字学、金石考古学、文史等
I. INTRODUCTION The antecedent of the twentieth century was an important period in the process of modern transformation of Chinese academic culture. For Sha Menghai (1900-1992), this is an extraordinary period of life, especially in the 1920s. He is the start-up phase of the young Sha Menghai’s academic and artistic career. During this period, he confronts the conflicts and ups and downs of various academic trends, the collision and fusion of old and new knowledge, and gradually accumulates academic and artistic insights through continuous thinking and selection , Established its academic thought, artistic interest, and later laid an important foundation. The study of Sha Menghai book study and print study has achieved many achievements in recent years. [1] However, the author thinks there is still room for further digging. The reasons are as follows: Most of the previous studies discussed Shamianhai’s calligraphy and printing studies in isolation, ignoring his views on linguistics, archeology, Literature and history