论文部分内容阅读
《失街亭》节选自《三国演义》,写的是诸葛亮想北定中原而出兵祁山,魏蜀两国在街亭的一场战斗。本文用对比与衬托的手法,通过生动的情节与人物的语言情态表现人物的性格。其中“细节”的描写尤见功力,文中以马谡的“三笑”、司马氏父子的“三笑”以及孔明的“三哭”为契机,巧妙地将诸葛亮和马谡的矛盾,马谡和王平的矛盾以及司马懿和诸葛亮的矛盾这三条线索有机地交织在一起,既相互牵制,牵一发而动全身,又烘云托月,相得益彰。其人物性格十分鲜明,值得我们注意和体味。
“Street Lost Pavilion” is an excerpt from The Romance of the Three Kingdoms. It is written by Zhuge Liang who wants to set up the Central Plains in the north and send troops to Sheshan. Wei and Sui battled each other in the pavilion. This article uses contrast and set off techniques to express the characters’ character through the vivid plot and the linguistic modality of the characters. Among them, the description of “detail” is particularly important. In this article, Ma Ge’s “Three laughs”, Sima’s “three laughs” and Kong Ming’s “three cry” are taken as opportunities to subtly add Zhuge Liang and Ma Wen’s contradictions, the contradictions between Ma Yi and Wang Ping, and the three clues of Sima Yi and Zhu Geliang’s contradictions are organically intertwined. They both contain each other, affect the entire body, and support the moon to complement each other. Its character is very clear, it is worth our attention and taste.