论文部分内容阅读
本文借助阿贝尔与霍恩比的元戏剧理论,从“戏中戏”、“角色扮演”、“自我指涉”以及“文学与真实生活的指涉”四个方面阐述当代英国女剧作家卡里尔·邱吉尔《醋汤姆》中的“元戏剧性”。本文认为,《醋汤姆》运用了以上四种元戏剧手法,以全新的戏剧形式形成了元戏剧,其元戏剧的陌生化手法产生了布莱希特式间离效果;该剧旨在探讨女性性别麻烦与身份建构问题,颠覆父权制意识形态,表达后现代女性主义思想。
Based on the meta theater theory of Abel and Hornby, this essay analyzes four aspects from “drama”, “cosplay”, “self-referential” and “literature and real life” In the aspect of the contemporary British female playwright Carril Churchill “Vinegar Tom” in the “yuan dramatic ”. This article argues that “Vinegar Tom” uses the above four kinds of Yuan drama techniques to form a Yuan drama with a completely new form of drama. The defamiliarization of Yuan drama has resulted in a Brecht-style separation effect; this drama aims at exploring the relationship between women Gender trouble and identity construction, subverting the ideology of patriarchy and expressing the post-modernist feminism.