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一 乐山悦水 从表面上看,中国古代山水画是画家们乐山悦水的美感愉悦反映,他们把山水当作自然美的象征,而沉缅于山水流连忘返。宗炳“每游山水,往辄忘归,”李成怡情自然,自言“惟爱山水,弄笔自遣”,渐江自治一印曰“家在黄山白岳之间”,他自己“岁必数游黄山”。他们“游山泽,观鱼鸟”,陶醉于“荫长松,藉丰草,听山溜之潺溪,饮石泉之滴沥”的山林之乐中。因此可能有人就认为山水画是画家们“模山范水”的美的写照,但是我国山水画不是西方“模仿说”所能解释的。
A Yue Yue Yue Water On the surface, the ancient Chinese landscape paintings are the pleasant pleasures of the painters, Leshan Yue Shui. They regard the landscape as a symbol of natural beauty and indulge in the landscapes to linger. Zong Bing “every landscape, never forget to return,” Li Cheng Yi natural, self-asserting “love the landscape, get written off”, gradually Jiang Autonomous a printed saying “home in Huangshan Baiyue”, his own “age will Huangshan several tours. They ”tour the mountain Ze, fish watching birds,“ revel in the ”shade Changsong, by the abundance of grass, listen to the mountain stream Creek, drink drops of spring stone“ in the woods. Therefore, some people may think that landscape painting is a portrayal of the beauty of ”model mountains and waters“ by painters, but the landscape painting in our country can not be explained by the Western ”imitation theory."