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相信对大多数从20世纪80年代中就开始接触香港电影的朋友来说,心里都有一种挥不去的“香港电影”情结,还记得那时候的香港电影创作确实是处于一种百花齐放的大好局面,既有成龙轻松搞笑的动作片,李修贤的警匪片,王晶的商业片、吴宇森的江湖英雄片,也有许鞍华、张婉婷与关锦鹏的文艺片类型。在商业上不仅众多的港产片凭新鲜的创意、贴近普通大众的浓烈生活气息与明星魅力取得了票房的
I believe most of my friends who have come into contact with Hong Kong films since the mid-1980s have a glitzy “Hong Kong movie” sentiment in mind. I still remember that at that time, Hong Kong’s filmmaking was indeed in a flourishing atmosphere The situation, both Jackie Chan relaxed and funny action film, Li Xuxian’s gangster film, Wang Jing’s commercial films, John Woo’s arena hero films, but also Xu Anhua, Zhang Wanting and Kwan Kampeng literary film types. Not only in the commercial sector, many Hong Kong films with fresh ideas, close to the general public’s strong atmosphere of life and star charm made the box office