文章关注了早期佛教艺术中的世俗伎乐供养人(“伎乐人”)图像,认为其形象源自于印度现实生活中乐伎、舞女等社会地位较为低下的供养者,后受到希腊化艺术影响,表现为载歌载舞的伎乐人队列。由此,作者推断,中亚、西域等地流行的行像等佛教仪式,其形成可能受到了希腊宗教举行节日庆典习俗的影响,这与佛教逐渐通俗化的过程相一致。 The article focuses on the image of secular bodiless supporters (“Geisha”) in early Buddhist art, believing that its image originated from the lower social status of kibbuts and dancers in real life in India, The artistic influence, manifested as singing and dancing of the genie queue. As a result, the author concludes that the formation of Buddhist rituals, such as the prevalent acts in Central Asia and the Western Regions, may be influenced by the practices of Greek religious festivals and celebrations, consistent with the gradual popularization of Buddhism.