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龚贤(1618—1689)存疑作品《神岳图》册八开(横37cm、高23cm),原件为刘作筹先生藏,刊香港《名家翰墨》杂志第33期。 90年代初,《名家翰墨》杂志总编辑许礼平先生来南京组稿,曾将这套册页的照片带来,笔者于其住处见到,当时即向许先生提出这套册页有疑问,许礼平先生未表示反对。其时由于时间紧迫,未及细辨;二则也无资料对照,故将此事暂置一边而办理其他事情去了。 时过多年,重新研究这套册页,发现疑点甚多,现冒昧提出,以求教于鉴赏界及画界。 《神岳图》册为水墨纸本,描写南方山水,或江畔幽居、或茅屋晓雾、或湖山清远、或高山悬泉、或山涧蹊径、或河畔归舟。从风格论,当属中晚期成熟阶段作品,但细观则不如其他作品那样墨色醇厚,笔力雄健,显然不是龚贤真迹。现从整体及单幅两个方面来分析:
Gong Xian (1618-1689) Doubtful work “Shen Yue” album eight open (horizontal 37cm, height 23cm), the original for Mr. Liu Zuoji possession of Hong Kong, “famous artist John Mo” magazine 33rd. In the early 1990s, Xu Libin, chief editor of “Famous Artists” magazine, came to Nanjing for group contribution. He brought the photos of this album together. The author saw in his place of residence. At that time, he put forward this album to Mr. Xu with doubt. Mr. Xu Liping did not show Oppose. At that time, due to the urgency of the time, it was not conspicuously discriminated against; the other two did not have any data for comparison. Therefore, the matter was temporarily put aside for handling other matters. After many years, re-study of this album, found that many doubts, are now proposed to take to teach in the appreciation of the world and the painting industry. “Shenyue Tu” book for the ink paper, describing the southern landscape, or riverside dwelling, or hut Xiaowu fog, or lake Qingyuan, or alpine hanging spring, or mountain path, or the river go boat. From the style theory, when the late mature stage works, but the meso is not as good as other works mellow ink, powerful, obviously not Gong Yin authentic trace. Now from the overall and single two aspects to analyze: