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念,对京剧小花脸说,是最重要的一门功夫。京剧丑角扮演的角色大部分是以念功为主。衡量一个丑角演员的本事,首先要看他的“白口”如何?是不是“嘴里好”(也说“口齿好”)?丑角演员第一步必须要在念功上打下坚实的基础,到了台上才能借自己的声音、语调来揭示角色的思想,把剧本的内容恰恰切切、活活脱脱地表达无余,使台下听得明白,觉出滋味,越听越爱听,从中有所得。昔年,在科班里教学,给学丑行的孩子开蒙,京白是用《赵州桥》的范仲华、《遇龙馆》的林江;韵白是用《渭水河》的武吉。这些戏在内容上和技术上,都不甚繁复,适于做为初学者入门的阶梯。
Read, a small face that Peking Opera, is the most important Kung Fu. Peking Opera plays most of the role is based on merit. To measure the skill of a harlequin actor, we must first look at his “white mouth” is not “good mouth” (also said “good mouth”)? Harlequin actor first step must lay a solid foundation in the study, To the stage by their own voices, intonation to reveal the role of thinking, the content of the script is exactly cut, live off his free expression, so that the audience can understand, feel the taste, listen more and more love, from which income . In the past years, teaching in the Koban and teaching children of the scandal started. Jingbai was Fan Zhonghua with “Zhaozhou Bridge” and Lin Jiang with the “Yulong Pavilion”; These plays, both content and technical, are less complicated and suitable as a starting point for beginners.