对传统书画造假手法有所了解的人一般都知道,有一种沿袭久远的叫“仿”的书画作伪招术,它抛开了具体参照物,在没有母本依据的情况下仅凭借个体操作者对被仿冒名家艺术风格和特质的主观认识“单枪匹马”地进行赝作炮制,尽管此手法至今仍有人在实施着,但从实际效果看它少有能企及相对接近被仿名家真笔的程度。原因是凡是现代书画名家多数艺术个性都较突出,艺术表现力要明显强于传统意义的书画名家许多。若是造假者赝造 People who know something about the traditional techniques of calligraphy and painting are generally aware of the fact that there is a kind of fake trick that follows the long calligraphy of “imitation”. It abandons the concrete reference and does not rely on the individual operator The subjective understanding of the art style and character of the impersonated masters has been rigged up in a single-handed manner. Although this technique is still being implemented to date, it has rarely been able to match the actual effect of imitation. The reason is that most of the modern masters of calligraphy and painting are more prominent personality of art, artistic expression was significantly stronger than the traditional sense of many famous calligraphers. If the counterfeiters fake