明代传奇戏曲中有一系列的作品,都出现了“投庵”情节的集体关目设计。投庵情节内容是演旦角于乱离中,由投庵出家到出庵团圆的经历,可概括为人助与神助的两种类型。本论文以十剧为例,就剧作的时代文化背景,投庵情节的结构与艺术作用,与其中蕴含的艺术文化意义等方面,尝试考察明代传奇投庵情节的内涵与价值。 There are a series of works in the legendary operas of the Ming Dynasty, all of which appeared in the collective design of the plot of “throwing um”. Investment Um plot content is played in the corner of chaos, by the cast Um an excuse to a reunion experience, can be summed as two kinds of people help and God help. Taking the ten plays as an example, this thesis attempts to examine the connotation and value of the plots in the Ming Dynasty based on the cultural background of the times, the structure and artistic function of Um plots, and the artistic and cultural meanings involved in them.