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细读中西传记作品中的“凤凰女”形象,发现其传主“虚设”的自我身份与其“实存”的命运间充满了矛盾。将法国“时尚先锋”香奈儿、“情人”杜拉斯、英国诺贝尔文学奖得主多丽丝·莱辛等相关的传记内容与中国女性传主的事迹比较,其“逆袭”与“寻父”、“逃家”与“弑父”、“归来”与“放逐”等历程既有文化的差异,也有性别的相似。追寻不同民族的“女儿”对“父系”文化“逃离”与“归来”的历程,辨析其行为命运如何印证了现代社会的世态与生态,对其历史蕴涵与未来影响做出评估,具有人类学比较、文化归因与哲学考辩等的意义。
To read the image of “Phoenix Woman” in the Chinese and Western biographies, we find that there is a contradiction between the self-identity of its transmission idol and the fate of its reality. Compared with the biographies of the Chinese women’s advocates of France, “Pioneer of Fashion”, “Chanel,” “Lover’s” Duras, British Nobel Prize winner Doris Lessing and other related biographical content, its “Counter Strike There are both cultural difference and gender similarities between ”“ and ”find father “, ”escape “ and ”father “, ”return “ and ”exile “ and so on. Pursuing the course of ”daughter " of different nationalities ’ Impact assessment, with anthropological comparison, cultural attribution and philosophical debate significance.