在1940年代以政治批评为主体的作家批评氛围里,执着于探寻艺术之美的唐湜,以“人”为主题兼及现实关怀的批评实践和形象诗化的抒情性言说,实践着自己作家批评的幻美追求。显然,正是用这种深情歌吟自己美学追求的批评文字,唐湜在把握时代与艺术的跳动脉搏中,为1940年代的作家论舞台留下了一位幻美诗人绚烂而璀璨的探索足迹。 In the 1940s, critics of the critics as the main body of the criticism atmosphere, dedicated to exploring the beauty of art Tangxu, with “people ” as the theme and the practice of realistic criticism and vivid poetry of lyrical speech, practice their own Illusion pursuit pursued by writers. Obviously, it is with this kind of affectionate song that my aesthetic pursuit of the critical writing, Tang 湜 grasp the pulse of the times and art, for the 1940 writers left the scene of a glorious and bright exploration of the poet’s footprints.