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在中华五千年历史长河中,酒的文化历史悠久且深深融于人们的精神生活中。中国是酒的王国,它作为一个文化符号,用来表示礼仪、情趣、心境等。不但酒与诗,酒与音乐也有不可切断的不解之缘;不断有人为之痴狂,还产生了“酒仙”、“酒狂”之类的说法。如“斗酒诗百篇,酒后诗如泉”的李白。所谓“酒狂”出于文学界,我们要研讨的则是音乐文化中,由古琴《酒狂》为主体改编的古筝版《酒狂》。
In the 5,000-year-long history of China, the culture of wine has a long history and is deeply immersed in the spiritual life of people. China is the kingdom of wine, as a cultural symbol, used to indicate etiquette, taste, mood and so on. Not only wine and poetry, wine and music also have inseparable indissoluble bound; there are some people crazy, but also produced “Brewers ”, “wine mad ” and the like. Such as “fighting wine poem hundred, drink poem such as spring ” Li Bai. The so-called “wine mad ” out of the literary world, we are going to discuss is the music culture, the Guqin “wine mad” as the main body adapted Guzheng Edition “wine mad.”