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一疯狂与清醒,滑稽与严肃,构成了堂吉诃德悲喜性格层次的两极。文学典型的特殊审美形态,也带来了文学表述形式的复杂性。除了作者对性格构成的准确把握,还需要有特别的艺术创造力和恰如其分的艺术表现力。对堂吉诃德喜剧性格形态的表现,塞万提斯较多地借鉴了古希腊神话与中世纪文学中的浪漫主义表现形式:文学的象征。堂吉诃德的喜剧性格层次表现为违逆历史趋势复兴骑士道,以及个人与社会斗争的盲目、荒诞性。这一性格形态,是同幻觉中的恶魔及其假身的对立中得到显示的。如,堂吉诃德战风车、闹磨坊等等。但是,风车、磨坊、等生活形象并不能直接成为揭示人物喜剧性格内蕴的对照物。因此,作者便充分调动文学象征的表现力,赋以某种象征义,
A crazy and awake, funny and serious, constitutes the bipolar character of Don Quixote sad and uncomfortable. The typical aesthetic form of literature also brings the complexity of the forms of literary expression. In addition to the author’s accurate grasp of the composition of character, but also need special artistic creativity and appropriate artistic expression. For the performance of Don Quixote’s comedy personality, Cervantes borrowed more from the romantic expressions of ancient Greek mythology and medieval literature: the symbol of literature. Don Quixote’s comedy character shows the historical trend of revival Knight Road, as well as the blind and absurdity of individual and social struggle. This character is manifested in the antagonism of the devil in the illusion and its fake body. Such as Don Quixote war windmill, downtown mill and so on. However, the images of life such as windmills, mills and the like can not directly become the reference for revealing the intrinsic character of the comedy. Therefore, the author fully mobilized the expressive power of literary symbols, imparted with some kind of symbolism,