黑龙江流域、辽河流域和鸭绿江流域,形成了彼此密切相连的三大重点区域。本文依据萨满音乐田野考察结果,以“流域”为视角进行跨地域萨满音乐研究,通过对“三江”流域萨满鼓形制之比较,廓清“抓持类”(泰加林型、黑龙江型)和“握持类”萨满鼓流布的区域。 Heilongjiang River Basin, Liao River Basin and the Yalu River Basin, formed close to each other the three major areas. According to the results of field investigation of Shaman music, this paper studies the trans-regional shaman music from the perspective of “watershed ”. Through the comparison of Shaman drumforms in “Sanjiang” watershed, Garrin type, Heilongjiang type) and “holding class ” shaman drum cloth area.