在论文《艺术作品的本源》(The Origin of the Work of Art)里,马丁·海德格尔(Martin Heidegger)解读了凡·高的一幅画,以此来说明作为真理的敞开的艺术本性~([2])。他是在区分三种存在模式的过程中提到这幅画的:日常器具的存在模式、自然物的存在模式以及美术作品的存在模式。他开始描述第一种模式,“不需要任何哲学理论……一种熟悉的器 In the essay ”The Origin of the Work of Art,“ Martin Heidegger interprets Van Gogh’s painting as an illustration of the open artistic nature of truth ([2]). He refers to this painting in the process of distinguishing between three modes of existence: the mode of existence of everyday appliances, the mode of existence of natural objects, and the mode of existence of fine art. He began to describe the first model, ”does not require any philosophical theory ... a familiar device