一施莱尔马赫曾把诠释学定义为“理解的艺术”,他认为理解不是一个机械的过程,而是如同艺术家创作一部艺术作品那样,是一个创造的过程;相对于文本是作者将其意图和思想加以外化的创造过程而言,理解可以说是对于作者意图更高的再创造。在这一理论基础上,他区分了两种解释,一种是 Schillermacher once defined hermeneutics as “the art of understanding,” in which he believes that understanding is not a mechanical process, but a process of creation as an artist creates a work of art; in contrast to the text, In terms of the creative process of externalizing the intention and thought, understanding can be said to be a higher re-creation of the author’s intention. On the basis of this theory, he distinguished two explanations, one was