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这是一部熔铸着一种民族精神,把握着一种气质,显示着一种美——内在美与形态美交融的影片。 将摄影机转向长城脚下硝烟弥漫的战场,对准汹涌奔腾的黄河。一部《黄河绝恋》,在民族存亡关头,唱响了一曲不同凡响的中华民族气质,民族精神的颂歌。 我们这个民族所具有的强大的凝聚力,使她跨越了无数的历史风景而顽强屹立。影片正是在展现中华民族这一最为壮美的历史风景上,勾画出美的三个层次,从而完成了影片以美的形式揭露丑恶的艺术过程。 郑三炮,一个形象猥琐的古堡土匪。在他未被日寇活埋前,这一形象非但不美,而且丑。而在他点火焚房,被活埋的那一刻,这一形象所包容的民族精神犹如夜空中的礼
This is a melting cast with a national spirit, holding a temperament, showing a kind of beauty - the blend of inner beauty and aesthetic beauty of the film. The camera turned to the wall at the foot of the smoke filled the battlefield, aimed at the raging Pentium of the Yellow River. A “love of the Yellow River”, at the moment of national survival, sang an extraordinary Chinese national temperament, national spirit carols. The strong cohesion that our nation owns has made her stand strong across countless historical landscapes. It is precisely in displaying the most magnificent historical scenery of the Chinese nation that the film delineates the three levels of beauty so as to complete the film's process of revealing the ugly art in the form of beauty. Three guns, a wretched image of the castle bandit. Before he was buried alive by Japanese invaders, this image was not only beautiful but ugly. At the moment when he burned his house and was buried alive, the national spirit contained in this image is like a ceremony in the night sky