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作为1996年引进的第四部大片,《廊桥遗梦》是引人瞩目的。它通过两位儿女翻阅母亲的三本日记,展现了母亲弗兰西斯卡和摄影师罗伯特·金凯在四天中共同构建的一个美丽的梦的旧址。罗伯特·金凯是在弗兰西斯卡错过作梦的季节闯进了她的世界。敢与他大胆相爱,无疑是弗兰西斯卡情感的一次无畏出击和自我拯救。她冲破了古镇的传统偏见,走向她的情感圣地——罗斯曼桥。这里有着“月亮的金苹果,太阳的银苹果”(叶芝诗);她蓬勃的精神枝叶也在这里摇曳着绰约的风姿,闪烁着新艳的光泽,仿佛寻觅到了最初的那一种绿意。在罗伯特·金凯的眼中,弗兰西斯卡犹如一首诗一首歌,他终生所要拍摄的就是这种充满无限生命之爱的风景。正如他对弗所言:“我做摄影师跑遍
As the fourth blockbuster introduced in 1996, the “Cangqiao Cuddles” is remarkable. Through two diaries reading the mother’s three diaries, it shows the site of a beautiful dream that Mother Francesca and photographer Robert Kincaid have built together for four days. Robert Kincaid broke into her world in Francesca’s missed dream season. Dare to love him boldly, Francesca is undoubtedly the emotion of a fearless attack and self-rescue. She broke through the ancient town of traditional prejudices, to her emotional holy land - Roseman Bridge. Here is the “golden apples of the moon, the silver apples of the sun” (Yeats poem); her vigorous spiritual foliage is also swaying graceful charm, shining bright glitter, as if looking for the first kind of green . In the eyes of Robert Kincaid, Francesca is like a poem-song, and his life-long filming is such a landscape full of infinite love of life. As he said to Ephesus: "I am a photographer running around