十年文革带来的社会停滞是多方面的,正在发展的儿童心理即是其中之一端。这种停滞如同社会性剥夺,使成长于该时代的人群失去心理发育的外部条件,形成程度不等的心理固置。同时,文革具有浓厚的乌托邦色彩,蕴涵其中的集体心理图式是人类童年样式的遗形,这种图式无疑会通过模仿印刻在儿童的心理发展历程中。当他们长大成人,儿童心理固置和原始集体心理图式就成为他们的心理背景,不知不觉中影响他们的行为和思维方式。艺术创作亦如此。 张艺谋、陈凯歌、张军钊等第五代导演的儿童心理在其影片中得到多层 The social stagnation brought about by the 10-year Cultural Revolution is multifaceted, and the developing children’s psychology is one of them. Such stagnation is like social deprivation, so that the people growing up in this era lose the external conditions of psychological development and form psychological fixtures of varying degrees. At the same time, the Cultural Revolution has a strong utopian color, implying that the collective mental schema is the legacy of human childhood style, and this schema will undoubtedly be imprinted on children’s psychological development through imitation. When they grow up, children’s psychology and primitive collective psychology become their psychological background, unknowingly affecting their behavior and way of thinking. The same is true of artistic creation. Zhang Yimou, Chen Kaige, Zhang Junzhao and other fifth generation directors of children’s psychology in its films get multi-layer