《傲慢与偏见》是十九世纪现实主义作家简?奥斯丁的精心之作。自出版近两百年以来,它始终以独特的艺术魅力备受读者与评论家的青睐。运用叙事学理论,试从叙事视角方面来探讨《傲慢与偏见》的独特魅力。分析作品中“上帝”般的叙述者的全知视角,和人物的有限视角的运用。全知叙述者无所不知,时而透视主角的内心叙述者还常对人物和事件进行公开和隐蔽的评论,与读者心意相通。使人物栩栩如生,呼之欲出。时而切换为人物有限视角,使故事发展富于戏剧性和真实性,水到渠成,情节趣味横生。主角经历了由有限的理智到感情上的傲慢与偏见、克服傲慢与偏见、直到更高的理智的过程,突出了主题。 Pride and Prejudice is a meticulous work by Jane Austen, a 19th-century realist writer. Since publishing nearly 200 years, it has always been a unique artistic charm of readers and critics of all ages. Using the theory of narratology, try to explore the unique charm of “Pride and Prejudice” from the perspective of narrative. Analysis of the “God” -like narrator’s omniscient perspective, and the limited use of characters. Omniscient narrator omniscient, and sometimes the innermost narrator of the perspective of the protagonist often openly and covertly comment on people and events, and the reader’s heart. Make people lifelike, ready to come out. From time to time switch to a limited perspective of the characters, so that the development of the story is dramatic and authentic, comecqan, the plot interesting. The protagonist went through limited arrogance and emotional arrogance and prejudice, overcoming arrogance and prejudice until a higher intellectual process, highlighting the theme.