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中国当代陶艺自20世纪80年代中至今约20年的语言实验过程,经历了由形式问题到媒介语言实验到文化关注,由淡化意识形态到重回意识形态到将意识形态风格化的演变,使现代陶艺成为中国当代艺术的重要组成部分,容纳当下的体验和拓展文化视野的功能,本文拟通过东方文化精神及水墨画与当代陶艺等方面,探讨文化情境中当代陶艺与当代文化之间的表达空间。一水墨画与当代陶艺有着异曲同音之处,两者都承载着从传统精神意义并面对西方现代艺术理念产生的强烈冲击与影响。开始于20世纪80年代中期的中国画形式样式的全面改革,经过十几年推波逐浪式的发展——演变成今天的现代水墨。
The process of language experiment of Chinese contemporary pottery art from 20 years till now about 20 years from the 20th century to the present has gone through from formal problems to media language experiments to cultural concerns. From the desalination of ideology to the return of ideology to the evolution of ideology, Modern pottery has become an important part of contemporary Chinese art and accommodates contemporary functions of experiencing and expanding its cultural horizon. This article attempts to explore the space of expression between contemporary pottery and contemporary culture through cultural orientations, ink paintings and contemporary pottery . An ink painting has many similarities with contemporary ceramic art, both of which bear the strong impact and influence from the traditional spiritual meaning and the conception of Western modern art. The comprehensive reform of the formal forms of Chinese painting, which began in the mid-1980s, evolved into a modern ink and wash after more than a decade.