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写字台上的台灯只照亮书房的一角。彭恩刚从剧场回来,他坐到写字台前,伸手拿起电话接通了编辑部:“我是彭恩,你好!我又考虑了一下,关于《蛙女》的剧评,最好还是发下午版,因为我想把它展开一些……别提啦!太不像话了!所以我才打算写一篇详细的剧评。上午版你只要留出个小方块刊登一则简讯就行了。你记下来吧:‘奥林匹亚剧院:《蛙女》上演,一锅可笑的大杂烩;一堆无聊的废话和歇斯底里的无病呻吟。看了简直要让你发疯。详情请见本报下午
The desk lamp only illuminates the study corner. Peng Nenggang came back from the theater and sat down at the writing desk and reached up to pick up the phone to reach the editorial board: ”I’m Penn, hello! And then I thought about it again. Afternoon, because I want to expand it ... Do not mention it! That’s a shame! So I’m going to write a detailed drama review. You just have to leave a small box to publish a newsletter on the line. Come down: ’Olympia Theater:’ The Frog Lady ’staged a hilarious hodgepodge; a pile of boring nonsense and hysterical moan. Read it simply make you crazy.’