论文部分内容阅读
本文关注作为艺术媒介形态的“纤维艺术”在20世纪的发展历程,着重探讨在两种观念系统中反复冲撞的纤维艺术的发展理念,即作为“外在于日常审美领域”的“艺术”的纤维以及“艺术进入生活”的纤维。在这两者其背后折射出的,则是20世纪欧洲盛行的两条相互交织的线索,即“美学主义”与“美学先锋派”的消长。本文最终认为,纤维艺术的自我定义必定要是介于两者间的中间状态,并在开拓媒介形式语言的方向上进入对日常生活的介入和指涉。
This paper focuses on the development of “fiber art ” in the 20th century as the medium of artistic media and focuses on the development of the concept of fiber art which repeatedly collides in two kinds of conception systems, that is, as “external in the field of daily aesthetic ”Art“ fibers and ”art into life“ fibers. Behind these two are the two interwoven clues that prevailed in Europe in the 20th century, namely, the rise and fall of ”aesthetics “ and ”aesthetics avant-garde ". This article concludes that the self-definition of fiber art must be intermediate between the two and enter the intervention and reference to daily life in the direction of developing the formal language of the medium.