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二十世纪七十年代末,著名画家吴冠中提出了“形式美”的概念,对“文革”后中国的美术理论和美术创作产生了重大的影响。同时随着改革开放,国家在经济发展的同时,也接纳了不同的思想观念和文化艺术的涌入。这两个因素加起来,可以视为前因,从而促使中国美术处于一个转折和变革的节点。由此产生的一个直接后果,就是随后到来的“八五思潮”美术运动。
In the late 1970s, the famous painter Wu Guanzhong proposed the concept of “formal beauty”, which had a significant impact on the art theory and fine art creation of China after the “Cultural Revolution.” At the same time, with the reform and opening up, the state has embraced different ideas, concepts and culture and arts while economic development. The sum of these two factors can be regarded as the antecedent, thus pushing Chinese art to a turning point and a turning point. A direct consequence of this is the ensuing trend of the “Eighth Five-Year Thought Movement”.