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走进陈张平的办公室,可以毫不夸张地说,你会看到他完全淹没在图像的海洋里。然而,就在这图像喧嚣泛滥到杂乱无章的混沌世界之中,他的《高原人》系列人物肖像却突兀起超拔于令人眼花缭乱的众多纷繁图像之上,就像西部高原崛起于大陆架之上一样。这时,我们不得不惊异于陈张平与众不同的创造意志——于喧嚣与泛滥之中达于圣洁与纯粹。 一件摄影作品就像在远方为你准备、藏匿的一件珍奇的礼物,等待着你去追索,它的筹码是要你拥有持续不懈的毅力。《高原人》系列人物肖像在陈张平心里,是一个由来已久的约定,是一团燃烧得令他夜不能寐、魂牵梦萦的烈焰。早在15年前,1987年,他在解放军艺术学院美术系上学的时候,他就第一次伸出怯生生的手,试着却触摸西藏这块圣土。 我和他在他那“图像的海洋”开始了关于神山圣土、高原子民的对话。
Into the office of Chen Zhangping, it is no exaggeration to say that you will see him completely submerged in the image of the ocean. However, just as the noises of this image flooded into a disorganized and chaotic world, his portrayals of the “Plateau” series suddenly rose above the dazzling array of numerous images just as the western plateau rose above the continental shelf . At this moment, we have to marvel at Chen Chang-ping’s unusual will to create - holy and pure in the hustle and bustle. A photographic work is like a rare gift prepared for you in the distance, waiting for you to pursue, and its chip is to have you have unwavering perseverance. In the heart of Chen Zhangping, the Portrait of the Plateau People series is a long-standing agreement that is a flaming flame that burns to keep him awake at night and dreaming of the night. As early as 15 years ago, in 1987, when he attended the Art Department of the PLA Art Academy, he first extended his timid hand and tried to touch the holy soil of Tibet. I and him started a dialogue about the holy land of the mountains and the people on the plateau in his “Sea of Images.”