大钓是一九五八年前后,我国报刊开始较多地介貂非洲爵人的作品。这些爵人大都是年青的,是在万隆会靛以后非洲民族解放运动的高潮中涌现出来的文化战士。塞内加尔的大卫·狄奥普就是其中之一。一九六O年,在一次偶然的飞机失事中,这位优秀的青年爵人稚难了,黑非洲丧失了一名热情蓬勃的鼓手。但是,他的爵句仍然在我们心中跳动,我俏还常常想起他。特别是在今天,当整个黑非洲战斗的鼓声震天响的时候,我俩袭着他的遣作《锤击集》,是多么兴奋啊。《锤击集》只有十六首短爵,最长的也不到三十行,但是,正如书名所概括的,每首短爵都发出挣铮的声响,竣着耀眼的火花。它俩都是那么筒练、犀利,而又情威 Big fishing was around 1958, our newspapers started more introduction of African jazz mirage works. Most of these elders are young and are cultural fighters emerging from the climax of the national liberation movement in Africa after the Bandung Conference. One of them is David Teop in Senegal. In 1960, during a fortuitous plane crash, the excellent young Jazz was naive and black Africa lost a passionate drummer. However, his vocals are still beating in our hearts, I pretty often think of him. Especially today, how excited is it when we are attacked by his dismissed “hammering set” as the drums of the entire Black Africa fight ebb and flow. There are only sixteen short-haul sets in the Hammering Set, the longest of which is no more than thirty lines. However, as the title of the book epitomizes, each short-siren makes a loud sound and achieves a dazzling spark. Both are so cylinder training, sharp, but delusional