论文部分内容阅读
今年八月,在北京看了一出好戏,由世界顶级剧院以色列盖谢尔剧院贡献,名曰《乡村》,讲述上世纪四五十年代犹太复国主义运动背景下,发生在以色列一个乡村的故事。主角是傻瓜尤西,他疯癫痴傻,借由他的视角,生鲜热闹的乡村生活拉开帷幕,人物渐次上场,展现各自悲辛喜乐的生活。整个舞台铺设着大片大片的稻草,中央放着一个环形轨道作动态装置,人物依此实现转场。有人说,全戏是一个犹太人的“生死场”。在生的热闹下,死的阴
In August this year, a good show was watched in Beijing. It was contributed by the Israel Gaisihel Theater, the world’s top theater. It is called “Village” and tells the story of a country in the background of the Zionist movement of the 1940s and 1950s. s story. The protagonist is a fool Youxi, he crazy crazy silly, with his perspective, fresh lively rural life kicked off, the characters gradually appeared to show their sorrows and joys of life. The entire stage is covered with a large tracts of straw, the center of a circular orbit for the dynamic device, the characters realize the transition. Some people say that the whole show is a Jewish “field of life and death.” Lively under the dead overcast