论文部分内容阅读
20世纪60年代,张弓先生在《现代汉语修辞学》中提出“寻常词语艺术化”的概念,扩展了修辞学的研究范围并突出了修辞学的语言学性质。“寻常词语艺术化”指的是普通词语经过作者精心选择从而承载了丰富的艺术魅力。辞格与“寻常词语艺术化”是语言艺术化的两种路径,可是以往的论著大多侧重对辞格的研究。本文从语法修辞、语音修辞、语用修辞三个方面,探讨孟浩然残句“微云淡河汉,疏雨滴梧桐”中“淡”、“滴”两个寻常词语的艺术价值,旨在将“寻常词语艺术化”理论应用于实践,同时,加深我们对现代汉语修辞学的认识。
In the 1960s, Mr. Zhang Gong proposed the concept of art of unusual words in Modern Chinese Rhetoric, expanding the scope of rhetoric research and highlighting the linguistic nature of rhetoric. “Ordinary words artistic ” refers to the ordinary words after the author carefully selected to carry a wealth of artistic charm. Figures of Speech and “Art of Vocabulary” are the two approaches to language artistry. However, most of the previous works focus on the study of figures of speech. This article probes into the artistic value of the two common words of Meng Haoran from the grammatical rhetoric, phonetic rhetoric, and pragmatic rhetoric in his works such as “Weiyunhehehan, Drizzle Indus”, “Light” and “Drip” Aiming at applying the theory of art of unusual words to practice and at the same time deepening our understanding of modern Chinese rhetoric.